SS Rajamouli on Alia Bhatt and Ajay Devgn’s roles in RRR: ‘They are cameos, won’t cheat my viewers’

Celebrated as one of many largest movies of the yr, SS Rajamouli’s RRR is all set to launch in theatres on January 7. Made at an epic scale, the movie stars Jr NTR and Ram Charan, together with Alia Bhatt, Ajay Devgn and Shriya Saran. Whereas the marquee billing has gone to Taarak and Charan who play Komaram Bheem and Alluri Seetharama Raju, respectively, not a lot is understood about characters performed by Alia and Ajay.

Rajamouli, on this interview with, confirms that the duo has cameos within the movie which straight affect the story. The filmmaker, who has made the extremely profitable Baahubali collection amongst many others in his storied profession, additionally deconstructs a ‘pan-India film’ and what goes into its casting and scripting course of.

Excerpts from the interview:


Inform us extra about Alia Bhatt and Ajay Devgn’s characters and size of their roles?

A job can’t be primarily based on its size. Each Alia Bhatt and Ajay Devgn’s roles are crucial. If we have a look at RRR as a physique, then Ajay sir’s character within the movie is its soul. And we all know there are two forces, two powerhouses within the film, and if there may be one one who has to stability them, who has the power and the power to include them, then it’s Sita, performed by Alia Bhatt.

They’re taking part in cameos within the movie, I’m not going to cheat the viewers about it. By way of significance, they’re equally and generally they’re extra vital than the heroes themselves.


Have been Alia Bhatt and Ajay Devgn solid to draw Hindi-speaking audiences to observe RRR?

No, and I’m very certain about it. After I made Makkhi or Baahubali, I by no means regarded for actors to be from different languages to fill in some form of financial circumstances. However, it’s all the time about actors becoming the characters convincingly and having persona traits that the characters demand and deserve.

Are you able to throw some gentle on why is there a sudden surge in pan-India movies?


We make movies on a big scale in an effort to inform the story to a bigger viewers which incorporates extra states and extra languages. As a filmmaker, I’m grasping, I would like extra audiences to hearken to my story. I don’t know the way it impacts the business, however it’s undoubtedly constructive.

What insights are you able to give in regards to the economics of a pan-Indian movie? Does it promote cultural change too?

I don’t know a lot about enterprise. I simply need my tales to succeed in extra folks. Extra audiences carry extra money however it isn’t the opposite method round. Extra folks ought to watch the movie, that’s the final word purpose.

For instance, I’ve been telling NTR from a few years that he has a giant market in Telugu (movie business) however he ought to discover different languages. Even when it doesn’t get him extra money, he’ll win hearts of extra folks. Go away cash apart, successful hearts is all the things. Your richness is in how many individuals wish to come to see your movie, that’s your forex.


With each movie, your scale turns into larger. How does that have an effect on your filmmaking and storytelling? Would you make a small movie after this level?

First, I’ll delve the story in one of the simplest ways attainable after which have a look at find out how to make it. If it is smart as a small regional movie, then I’d make it in that regional language. If it could possibly grow to be large, then I’ve to make it in such a method. I don’t work some other method.


What made you solid Jr NTR and Ram Charan in RRR?

They match my characters to the T. For Ram, I needed an actor who may be calm even when there’s a volcano bursting in his coronary heart, that’s what primarily Charan is, not simply Ram in my movie. And for Bhim, I needed a really robust one who may be very harmless at coronary heart, and may’t disguise any of his emotions. These are the precept traits of them as individuals.


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