The Guide of Boba Fett, Episode 1, Stranger in a Unusual Land evaluation: Robert Rodriguez performs it protected in extraordinary opening chapter

The Guide of Boba Fett, Chapter 1: Stranger in a Unusual Land
Director – Robert Rodriguez
Solid -Temuera Morrison, Ming-Na Wen
Score – 2.5/5

With little plot development and minimal momentum, the primary episode of The Guide of Boba Fett, the second live-action Star Wars collection on Disney+, is an extraordinary half-hour that’s let down by the person chosen to direct it.

After hustling for therefore a few years, Robert Rodriguez discovered himself within the somewhat spectacular place of not having to go hat in hand to Hollywood anymore, however having Hollywood come to him. He’s spent the higher a part of the final decade making films in his personal yard, utilizing inexperienced display screen soundstages and a scrappy mentality that provides him and his traders a bang for his or her buck. This makes Rodriguez, in a somewhat roundabout method, the best candidate to steer the directorial crew on a Star Wars present filmed completely throughout a pandemic, on state-of-the-art digital units.


Having re-introduced the fan-favourite bounty hunter in that wonderful season two episode of The Mandalorian—The Tragedy—Rodriguez brings his trademark Insurgent With no Crew aesthetic to the pilot episode of The Guide of Boba Fett, titled Stranger in a Unusual Land.

At simply over half-hour lengthy, it isn’t the form of supersized season premiere that Jon Favreau (who serves as creator and head author) directed over on The Mandalorian a few years in the past. Each in visible scale and narrative heft, Stranger in a Unusual Land is curiously contained. Not a lot occurs, and people anticipating a Child Yoda-level twist might be sorely upset. It’s too early to inform, however there aren’t any indicators of thematic ambition both. There aren’t any throwaway feedback about religion and honour, and Stranger in a Unusual Land has all of the spirituality of a freeway Burger King.


After a gap scene brimming with fan service—the primary jiffy are dedicated to Boba Fett’s escape from the Sarlacc Pit—the episode leaps forwards and backwards in time because the bounty hunter struggles to slot in to his new place because the chief of Mos Espa, after having taken over from Jabba the Hutt and his aide Bib Fortuna.

Favreau’s hyper-lean screenplay—I’m prepared to wager it doesn’t exceed greater than 15 pages—is undone by interminable stretches of inactivity. This shouldn’t be confused with the poetic Akira Kurosawa and Sergio Leone-inspired type that the filmmaker perfected on The Mandalorian.

However there’s a marked distinction in how he handles his scripts, and what somebody like Rodriguez does to them. Whereas Favreau introduced a Spielbergian sense of awe to the Star Wars universe, Rodriguez’s interpretation is extra dirty, extra ground-level. You received’t discover stray pictures of ruined Star Destroyers right here; Rodriguez, as an alternative, has a noticeable kinship for the scum and villainy of the galaxy far, distant. They’re rapscallions, similar to him.

You may sense Rodriguez’s glee when he will get to movie with puppets, or use stop-motion animation. It brings a really attention-grabbing retro vitality to an episode that will need to have simply value greater than the most important Bollywood blockbusters of this yr.


The episode not often leaves Boba Fett’s aspect, which, in hindsight, looks as if a somewhat restrictive transfer for a present that may absolutely should develop its horizons within the upcoming six episodes. Nor does it give Boba Fett any form of mission to finish, or an goal to fulfil. Consider it as watching a weary traveller settle into their lodge room after an extended journey. Roughly half of the episode is a long-ish flashback, whereas the ‘present day’ bits deal with Boba Fett strutting about Mos Espa and stirring up all kinds of (minor) hassle.

“Jabba ruled with fear, I intend to rule with respect,” he declares in a single scene, earlier than being ambushed by a bunch of goons and interesting in a low-stakes scuffle. He rejects the thought of projecting his energy by having servants carry him about city, however chooses to stroll as an alternative—it’s the Star Wars equal of a modern-day politician selecting to take the Mumbai native as an alternative of a chopper. He additionally spares the lives of a few foot-soldiers who had been loyal to the earlier regime. I think about this would possibly come into play, a technique or one other, in a future episode.

It had higher, as a result of Stranger in a Unusual Land doesn’t go away you with a lot to carry on to—both emotionally or thematically. The bar has been raised by The Mandalorian, and The Guide of Boba Fett might want to radically reinvent itself, until it needs to be left for lifeless in the course of a pop-culture desert.


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